Last Podcast On The Left
Last Podcast On The Left
"I love that kind of stuff. And there's this great book called Serpent in the Rainbow, which is a true -- it's, like, a nonfiction book about, you know, Haitian magic and stuff like that. Great movie, too. And anyway, I -- [Laughter] I haven't -- I didn't want to use real stuff, but it was such a fun opportunity to create my own, you know, ritual." — Zach Cregger
This episode features an in-depth conversation with director Zach Cregger, exploring his creative journey from sketch comedy with "Whitest Kids U'Know" to directing successful horror films like "Barbarian" and "Weapons." Cregger discusses his non-linear writing process, emphasizing his use of transcendental meditation and stream of consciousness to tap into subconscious ideas, likening it to being an antenna for external creative energy. He delves into the thematic depth of his work, particularly in "Weapons," revealing its personal roots in growing up in an alcoholic household and how that experience shaped the film's narrative.
The discussion highlights the intricate relationship between horror and comedy, with Cregger explaining how comedic timing and a focus on visceral response can translate effectively into horror. He touches upon the importance of set pieces in horror films, contrasting different approaches to scares and narrative pacing. Cregger also shares insights into his collaborative process, including co-scoring "Weapons" with his childhood friends and the meticulous attention to detail in sound design and music selection, noting how specific song choices can evoke particular atmospheres and settings.
Further conversations revolve around Cregger's directorial approach to franchises like "Resident Evil," emphasizing the rare opportunity he has been given to maintain creative control. He also touches on the influence of iconic figures like David Lynch and Stephen King on his work, as well as the unexpected inspirations behind character designs and visual elements, such as the unsettling appearance of Gladys in "Weapons." The episode concludes with an appreciation for the collaborative magic of filmmaking and Cregger's advice to embrace a playful, careless approach to creativity, akin to a child with crayons.