
Last Podcast On The Left
"We are literally just leasing our bodies physically to Netflix to be seen by you." — Henry Zeprowski
"That means last podcast on the left and side stories will now be appearing in video version on Netflix on all tiers." — Henry Zeprowski
"The Netflix deals that it's going to enable us to do so much more cool shit here at the network." — Henry Zeprowski
The episode opens with significant announcements regarding the "Last Podcast on the Left" franchise. A major development is the partnership with Netflix, which will feature video versions of both "Last Podcast on the Left" and "Side Stories" across all Netflix tiers. This collaboration is described as a leasing of video rights, not a sale, with the core podcast remaining free and accessible on all usual platforms. This expansion is expected to facilitate the creation of more content and new video series within their network.
In addition to the Netflix partnership, the podcast is rolling out several new exclusive content initiatives. "Last Letter Boxed on the Left," a new show focused on movie reviews starring Ed Larson and a guest, will have its video component available on Patreon. Another new series, "The Mis-Education of Ed Larson," will document Ed Larson learning about various topics. Furthermore, a new monthly exclusive for $25 tier Patreon subscribers called "Last Stream on the Left After Dark" will feature user-submitted videos. These initiatives aim to provide increased value to their dedicated fanbase.
The hosts also touch upon the benefits of the Netflix deal, including the freedom from certain algorithmic restrictions often found on platforms like YouTube, allowing for more uninhibited discussion. They express excitement about the increased opportunities and resources this partnership will provide for their network and employees, emphasizing that the podcast's fundamental structure and accessibility will remain unchanged for listeners. The episode then transitions into discussions about various true crime and unusual stories, with an ongoing narrative concerning a grave robber named Jonathan Girlac and his disturbing artistic endeavors.