Last Podcast On The Left
Last Podcast On The Left
"I don't want some wind in here. I love shit like that because he also trusted actors unlike Wes Anderson. He actually trusted actors because they would do a lot of, I just think that Wes Anderson it's like, you know, it's a parody of himself. If you're going to have people do it this way, just use fucking, it should all just be animated because you obviously don't care about a humanity like, you don't care about an actor living in there." — Henry Zabrowski (on David Lynch's directing style)
"The only thing I would take Umbridge with the coverage of my audition in the documentary series. Where's my press? Exactly. Exactly. But the only reason why I took any at first, I was like, oh my god. But it mostly was just because it felt like they introduced my audition. And then it's something like I just died. Right. Yeah. I never did anything ever again. They really made it seem like you were just like a forgotten human being. And I am. But I also still act. And I still perform. I'm here. Right. I am still here no matter what anybody says." — Henry Zabrowski (on his SNL audition feature)
"If you don't bank on yourself, there is no one. No one will. Yeah. No one's coming. There's no cavalry. There's no, it's you. You have to, it's up to you. Also, if you make something and it's not successful, oh well, make something else. It's just keep moving. There's an axiom. We're trying to do it. LPN. We're taking it. It's called fail faster." — Henry Zabrowski (on creative independence and resilience)
The episode opens with casual banter about physical therapy exercises, humorously likening them to historical gestures, before transitioning into the hosts' roles as public figures. They discuss the importance of considering how actions might be perceived, particularly in public settings, referencing historical figures and the potential for misinterpretation. A significant portion of the episode is dedicated to Henry Zabrowski's experience of being featured in a documentary about SNL auditions. He recounts his audition process, the lack of immediate success, and his feelings upon seeing his audition presented in a way that suggested a career endpoint. This leads to a broader discussion about the nature of artistic expression, the pressures within the entertainment industry, and the value of authentic creative output, drawing parallels with the work of director David Lynch.
The conversation then shifts to various news items. The hosts express concern over a statistic indicating a high frequency of family members killing each other, while also discussing a controversial UFO sighting and the challenges of verifying such evidence. They touch upon a disturbing incident involving attempted organ harvesting from a baby and a road rage shooting, framed with dark humor. The episode also includes a discussion about the potential psychological effects of feed additives on pigs, linking it to their aggressive behavior. Finally, the hosts share upcoming tour dates and engage in a lighthearted discussion about food preferences, with a particular focus on tofu and its potential health benefits.
The concluding segments involve discussions about the passing of Garth Hudson, a member of The Band, and a reflection on the unique creative process and artistic integrity of David Lynch. The hosts praise Lynch's ability to create art without succumbing to external judgment and his trust in actors. They also reflect on the importance of self-reliance and "failing faster" in creative endeavors, as well as the potential for propaganda within media. The episode ends with a humorous sign-off and promotional material.