Andrew Schulz's Flagrant with Akaash Singh
Andrew Schulz's Flagrant with Akaash Singh
"Why are we doing the Holocaust at 11 a.m.? It's 11 in the morning, why are we doing the Holocaust? Calm down, daytime TV is for people to get into the day, ease into the day, coffee, get to toast out. You know, we don't need to be doing genocide early, like relax, it's gotten crazy now." — Tim Dillon
"The medium is over. It's TV's over. SNL, you almost have to look at like an appearance on Carson. So like if the actor was more famous than Carson, that was just this massive moment. So the actor, the celebrity that's going on SNL has to be more famous than SNL." — Tim Dillon
"People will absolutely die on each other if they feel like it's for the purposes of altruism. Like they're in the right. They're doing the right thing. They do it for the purpose of altruism." — Tim Dillon
The episode features comedian Tim Dillon joining the hosts to discuss a range of topics, beginning with a humorous take on daytime television and the suspension of a host on "The View," suggesting Roseanne Barr as a replacement. Dillon then critiques the current state of daytime TV, contrasting it with his childhood memories of lighter programming. The conversation shifts to the nature of authority and the role of media, with Dillon expressing his preference for individuals who genuinely care about or understand what they are teaching or presenting.
The discussion delves into broader societal themes, including the influence of Jewish culture on comedy and broader societal structures, with Dillon offering a nuanced perspective. The concept of "woke culture" is analyzed, with Dillon arguing that its lack of humor makes it ineffective and boring. A segment on "Fuck, Marry, Kill" involving the Weinstein brothers and the complex issue of coercion in Hollywood is presented, highlighting the ethical dilemmas faced by individuals seeking career advancement. The conversation then turns to Alec Baldwin, his podcast, and the tragic incident on the Rust set, with speculation on his motivations.
A significant portion of the episode is dedicated to a critique of Saturday Night Live (SNL) and the broader television medium, with Dillon arguing that its cultural relevance has diminished. The discussion explores the shift in media consumption, the rise of social media, and the impact of digital platforms on individual and societal perception. The conversation touches upon themes of internal threats to American society, economic shifts, and the potential for a "social credit score" system, drawing parallels between China and the United States. The episode concludes with a wide-ranging discussion on national identity, cultural influence, and the challenges of societal division, with both hosts and Dillon reflecting on the current state of America and its future.